Abroad, she discovered that the transformation of music into noise was a planetary process by which mankind was entering the historical phase of total ugliness. The total ugliness to come had made itself felt first as omnipresent acoustical ugliness: cars, motorcycles, electric guitars, drills, loudspeakers, sirens. The omnipresence of visual ugliness would soon follow.
I sometimes have the feeling that her entire life was merely a continuation of her mother's, much as the course of a ball on the billiard table is merely the continuation of the player's arm movement.
The senator had only one argument in his favour: his feeling. When the heart speaks, the mind finds it indecent to object. In the realm of kitsch, the dictatorship of the heart reigns supreme.
But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science , instantly fades away.
No one can give anyone else the gift of the idyll; only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes; it knows no development.
When the heart speaks, the mind finds it indecent to object.
For how can we condemn something that is ephemeral, in transit? In the sunset of dissolution, everything is illuminated by the aura of nostalgia, even the guillotine.
She knew, of course that she was being supremely unfair, that Franz was the best man she ever had- he was intelligent, he understood her paintings, he was handsome and good-but the more she thought about it, the more she longed to ravish his intelligence, defile his kindheartedness, and violate his powerless strength
Almost from childhood, she knew that a concentration camp was nothing exceptional or startling but something very basic, a given into which we are born and from which we can escape only with the greatest of efforts.
Then there is the third category, the category of people who need to be constantly before the eyes of the person they love. Their situation is a dangerous as the situation in the first category. One day the eyes of their beloved will close, and the room will go dark.
But was it love? The feeling of wanting to die beside her was clearly exaggerated: he had seen her only once before in his life! Was it simply the hysteria of a man, who, aware deep down of his inaptitude for love, felt the self-deluding need to simulate it?
Now, perhaps, we are in a better position to understand the abyss separating Sabina and Franz: he listened eagerly to the story of her life and she was equally eager to hear the story of his, but although they had a clear understanding of the logical meaning of the words they exchanged, they failed to hear the semantic susurrus of the river flowing through them.
Yas,am ne kadar ac?mas?z olursa olsun, mezarl?kta hep huzur vard?r.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
She regarded books as the emblems of secret brotherhood. A man with this sort of library couldn't possibly hurt her.
And therein lies the whole of man's plight. Human time does not turn in a circle; it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition.
If he invited her to come, then come she would, and offer him up her life.
There are things that can be accomplished only by violence. Physical love is unthinkable without violence.
Cemeteries in Bohemia are like gardens. The graves are covered with grass and colourful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles... no matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, even in Hitler's time, even in Stalin's time..
On the surface, an intelligible lie; underneath, the unintelligible truth.
Yes, if you're looking for infinity, just close your eyes!
From tender youth we are told by father and teacher that betrayal is the most heinous offense imaginable. But what is betrayal?…Betrayal means breaking ranks and breaking off into the unknown. Sabina knew of nothing more magnificent than going off into the unknown.
Shit is a more onerous theological problem than is evil.
And what can life be worth if the first rehearsal for life is life itself?
If I had two lives, in one life I could invite her to stay at my place, and in the second life I could kick her out. Then I could compare and see which had been the best thing to do. But we only live once. Life's so light. Like an outline we can't ever fill in or correct... make any better. It's frightening".
This reconciliation with Hitler reveals the profound moral perversity of a world that rests essentially on the nonexistence of return, for in this world everything is pardoned in advance and therefore everything cynically permitted.
Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity.
Once her love had been publicized, it would gain weight, become a burden.
Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
More Milan Kundera Quotations (Based on Topics)
Love - Life - Man - People - World - Time - Woman - Mind - Emotions - Light - Soul - Performance Arts - War & Peace - Good & Evil - Truth - Metaphor & Analogy - Happiness - Movies - Power - View All Milan Kundera Quotations
More Milan Kundera Quotations (By Book Titles)
- The Unbearable Lightness of Being
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