In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.
I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film.
And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same.
Film is changing, and it can't help but keep changing.
By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects.
Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.
If I find a film dull, I find it infinitely more entertaining to watch the scratches.
I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.
© 2020 Inspirational Stories
© 2020 Inspirational Stories