Martin C. Smith Quotes (21 Quotes)

I have a French book with the period picked out, and I am working on something right now that I don't want to talk about at all.

If you take the contempt some Americans have for yuppies and multiply it by 10 you might come close to understanding their attitude towards the City, as they call it - London, the people of the south.

There is a huge antipathy in England between the north and the south, the working class and the owning class.

I think that each book, each country, has its own rhythm and this particular rhythm worked very well for me, it felt very comfortable.

I hate to be categorized.

But at the same time I went down into the mines with working miners who are still young men, younger than I am, who are aware that their working life is coming to an end and they feel suddenly cut off.

I never thought I would just be doing Arkady books.

Most people - and particularly people whose lives have nothing to do with books at all - are intrigued by the idea that somebody wants to listen to them and get it right.

I'd always been a great fan of George Orwell.

I have another Russian idea, too, with a place and a period, so I guess I have enough to keep me busy for quite some time, especially considering that I'm such a slow writer.

The fact is that I loved being in England.

I've got a book of poetry by the bed, one of these big collections that goes back to the Greeks and Romans.

I feel very bad about getting things wrong.

I'd love to do something set in Japan.

The government is shutting down the coal industry, they say it's cheaper to draw nuclear power off the French grid and cheaper to buy coal from Colombia.

I've always been struck by how unsuspicious people are in general, if you tell them what you're about.

The great thing about being a writer is that you are always recreating yourself.

Then there was the whole concept of coal mining, which is a culture unto itself, the most dangerous occupation in the world, and which draws and develops a certain kind of man.

What's wonderful is to read the different translations - some done in 1600 and some in 1900 - of the same passage. It's fascinating to watch the same tale repeated in such a different way by two different centuries.

Then years back, when I moved to California, I happened to see a book about fashions of 19th-century Victorian England, only four pages of which was devoted to the dress of the working class.

I'm very aware when I'm speaking to the English of how flat my Mid-Atlantic American voice is.