I hate sequels. They're never as good as the first book.
I hate sequels. They're never as good as the first book.
Sequels are very rarely a good idea, and in any case, the success of the book changed my relationship with the club in some ways.
But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.
I think sequels should be earned and we won't do it unless the script is better than the first one.
As long as we, again, kind of keep earning the sequels with material and I'm confident Mike can, I'm in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has.
They're just not into doing sequels after Toy Story so I don't think that's a possibility. But if they did, well sure, you'd have to do it. And I'd want to do it.
There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.
A one-year gap between films is pushing it as it is. Normally you want two years between sequels. An audience needs a little time to regroup.
We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.
Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was.
I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
People say, be wary of sequels, but I was gung ho to do this as much as you possibly could be, ... The Transporter was an amazing turn in my career -- my first leading role. I got to do a lot of action, which I'd always wanted to do as a very physical person, especially with my background as an athlete for years, and so to incorporate all that into a movie role was like a dream come true for me. And then to do it for a second time It's a real privilege. There's a ton of actors out there who'd give their right leg to do it, so to go, No, I'm too good for a sequel' is a little bit out of my mindset.
I was skeptical about doing Texas Chainsaw at first because it's such a cult classic. I'd seen some of the sequels and was not a fan of those.
My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
© 2020 Inspirational Stories
© 2020 Inspirational Stories