I get most of my news from the Jon Stewart Daily Show. It's the most level commentary you can find. You have to laugh, because it's all so true. It's the closest thing to a counterculture.
I get most of my news from the Jon Stewart Daily Show. It's the most level commentary you can find. You have to laugh, because it's all so true. It's the closest thing to a counterculture.
Well, I have since seen you at Tinkle. It's a comedy show started by David Cross, me and Jon Benjamin. It features a wide variety of acts for all tastes and seasons.
I was sad Jon Ronson, who wrote in the Guardian and has made a TV show for Channel 4, took against me.
There's the young Jon Voight and the old Jon Voight.
You can't get all of your news from Jon Stewart, especially since it's a comedy show.
I do remember the whole thing as being very argumentative, hot blooded... a permanent state of friction between Jon and Chris, Chris and me, me and Jon.
I love doing stuff with Todd Barry and Jon Benjamin. We give the stage to good bands and funny people.
On the other track I got to talk with Jon Poll, my editor, and we go into more detail about the decisions we made in both the production and the post-production. So I hope the combination becomes something worth collecting.
I love artists like Jon B, but I don't wanna be compared to anybody. I'm just doing my interpretation of rnb and how someone like me should be doing it.
If someone is expressing everything I am feeling at the moment, it's probably Jon Stewart. I hear him and think, Yeah!
I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had.
Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.
The industry does have some influence on who gets other awards. With the Mercury Prize, they don't. Jon comes from the business, but his heart is still very much in the music. Currently, we have about 12 major names that have said they want to be a part of MUDDA.
While at Cal Tech I talked a lot with Jon Mathews, then a junior faculty member; he taught me how to use the Institute's computer; we also went on hikes together.
This team has just as much ability as last year's. What this team has is depth. Our top two - Ben Gillen and Joe Hoskins - didn't play their best today, but Jon picked them up. That's nice to have this time of year.
© 2020 Inspirational Stories
© 2020 Inspirational Stories