The online console gaming market is set to take off, as the new generation of consoles arrives with advanced networking and online gaming capabilities. The ability to download game demos, buy casual as well as full-fledged console games, and access advanced content, including HD video, will result in 'online' becoming the key technology component of gaming for this and subsequent console generations.
Quotes about demos (16 Quotes)
At the time, I was making good money doing background work and demos.
I got a publishing deal with BMG, they were supportive, and some money to record demos.
DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more.
Also I played on a lot of demos in the early days of the Stones.
At that time, I was signed to Columbia Records as an Independent Producer. I spent many weeks forming, auditioning, rehearsing and recording demos for Kenny, who was finally signed to Columbia Records.
It's taken a long time but eventually when I had the songs in place and demos right and I found myself a manager, that's when everything started happening quickly but I think that's always the way it is.
The first EP that we put out, none of the songs from that one got put on this record but a few of the songs from the other demos and EPs made it on.
But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.
What has happened is that to some degree they have taken an attitude where they don't listen to demos of diverse subject matters. They're looking for demos like the record the guy on the left just did.
I thought I'd be wasting my time to go to commercial record companies and make demos for them, because don't forget, I was doing what I was doing and nobody understood what I was doing.
We always started these albums as making demos, that went right on until Scary Monsters.
In those days I don't' think they were even demos.
I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
I was in the car on my way to London, and Radio 2 was doing the Bee Gees story. They started playing the demos we'd made, then I heard Maurice talking. Suddenly that feeling of helplessness and non-acceptance came flooding back. I don't think you can ever come to terms with something like this. But you can learn to live with it.
I did full demos of all the songs at home, and then I took the demos into the studio and played them for everybody, and we then went ahead and did live versions.