Quotes about canvases (9 Quotes)


    Rather than waiting for inspiration, the artist started to find inspiration just by continually working her canvases. As her confidence grew, the panic she'd experienced when something wasn't perfect, abated. It's like being cold in winter and you can't imagine that you'll ever be hot, or hot in summer, when you don't believe you'll ever be cold, ... Now I say, 'It's OK. You know this feeling.'


    In spite of all the refinements of society that conspired to make art the dizzying perfection of the string quartet or the sprawling grandeur of Fragonards canvases beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.

    We do community canvases throughout the year using artists that are well known. But because the work of so many African-American artists hasn't been published as widely, Black History Month is a great time to educate the community on African-American art that should be more recognized.

    I'm drawn to plays with huge canvases and huge casts, and this is the prototype of that kind of play. There's a kind of energy in this play that you don't associate with social drama as a rule.


    Paul Cezanne never knew that he was later to be considered 'the father of modern painting.' Because of his great love for his work, he never thought of recognition. He struggled for thirty-five years, living in oblivion at Aix, giving away masterpieces to indifferent neighbors. And then one day a discerning Paris dealer happened upon his canvases and, gathering several of them, presented the Cezanne exhibit. The great of the art world were stunned here, indeed, was a master And Cezanne himself was no less astonished. Arriving at the gallery on the arm of his son, he gazed wonderingly at his paintings, and tears came to his eyes. 'Look,' he whispered, 'theyve framed them'

    I think that music videos began to be approached by young filmmakers as a form where they could do something interesting and innovative around the late '80s. I think David Fincher now a successful filmmaker and Jean Baptise Mondino were two of the first people to start looking at video that way, like four-minute blank canvases. They could go in and make whatever film they wanted, essentially, with a decent budget. So it became like film school for some really talented guys. Following on from that, I think a whole young generation of filmmakers picked up on that. People like Romanek, Glazer and Sednaoui came along and started playing around with the form, because the possibilities were there. It was also around the time that MTV were crediting the directors--which was kind of new--and people started following their work.


    It was all done at the same time. We sort of arranged the whole thing and cut it in half. A good example is an artist who does two canvases. He paints an abstract painting and then splits them. He shows the public the first piece and has them get used to that first piece. Then he gets the second piece and lets them get used to it, and then he puts them together and lets them see how they make sense together. So they make sense separately, but they also make sense together.



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