I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
I always had, deep down, a slight aversion toward the purely cerebral in music.
The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. I missed the sensual pleasure of being in contact with music.
When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically.
In the range of music that we play - roughly 300 years' worth-there really are more similarities than differences.
Music has just as much to do with movement and body as it does soul and intellect.
The music I turn out these days is the kind of music I want to hear myself.
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
© 2020 Inspirational Stories
© 2020 Inspirational Stories