Ursula K. Le Guin Quotes (100 Quotes)


    My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.

    How does one hate a country, or love one?... I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply? What is the love of one's country; is it hate of one's uncountry? Then it's not a good thing.





    I expect it will turn out that sexual intercourse is possible between Gethenian double-sexed and Hainish-norm one-sexed human beings, though such intercourse will inevitably be sterile. It remains to be proved; Estraven and I proved nothing except perhaps a rather subtler point.

    There is neither source nor end, for all things are in the Center of Time. As all the stars may be reflected in a round raindrop falling in the night: so too do all the stars reflect the raindrop. There is neither darkness nor death, for all things are, in the Light of the Moment, and their end and their beginning are one.



    I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth. The only truth I can understand or express is, logically defined, a lie. Psychologically defined, a symbol. Aesthetically defined, a metaphor.


    Who knows a man's name, holds that man's life in his keeping. Thus to Ged, who had lost faith in himself, Vetch had given him that gift that only a friend can give, the proof of unshaken, unshakeable trust.



    This story is not all mine, nor told by me alone. Indeed, I am not sure whose story it is; you can judge better. But it is all one, and if at moments the facts seem to alter with an altered voice, why then you can choose the fact you like best; yet none of them is false, and it is all one story.

    Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else. What is the other text, the original I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat... where in this metaphor they die and get canned and eaten in sandwiches.

    A Woman is home caring for her children even if she can't. Trapped in this well-built trap, A Woman blames her mother for luring her into it, while ensuring that her own daughter never gets out she recoils from the idea of sisterhood and doesn't believe women have friends, because it probably means something unnatural, and anyhow, A Woman is afraid of women. She's a male construct, and she's afraid women will deconstruct her. She's afraid of everything, because she can't change. Thighs forever thin and shining hair and shining teeth and she's my Mom, too, all seven percent of her. And she never grows old.

    If you want your writing to be taken seriously, don't marry and have kids, and above all, don't die. But if you have to die, commit suicide. They approve of that.

    My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.

    The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.

    In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it's not poison and we will all come to the end together, and even to the beginning living, as we do, in the middle.

    If science fiction is the mythology of modern technology, then its myth is tragic.

    Our roots are in the dark the earth is our country. Why did we look up for blessing -- instead of around, and down What hope we have lies there. Not in the sky full of orbiting spy-eyes and weaponry, but in the earth we have looked down upon. Not from above, but from below. Not in the light that blinds, but in the dark that nourishes, where human beings grow human souls.

    Public speaking is done in the public tongue, the national or tribal language and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.

    The pornography of violence of course far exceeds, in volume and general acceptance, sexual pornography, in this Puritan land of ours. Exploiting the apocalypse, selling the holocaust, is a pornography. For the ultimate selling job on ultimate violence one must read those works of fiction issued by our government as manuals of civil defense, in which you learn that there's nothing to be afraid of if you've stockpiled lots of dried fruit.

    If you see a whole thing - it seems that it's always beautiful. Planets, lives... But up close a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern.


    Legends of prediction are common throughout the whole Household of Man. Gods speak, spirits speak, computers speak. Oracular ambiguity or statistical probability provides loopholes, and discrepancies are expunged by Faith.

    It is above all by the imagination that we achieve perception and compassion and hope.


    The only questions that really matter are the ones you ask yourself.

    Inventions have long since reached their limit, and I see no hope for further development.

    There's a good deal in common between the mind's eye and the TV screen, and though the TV set has all too often been the boobtube, it could be, it can be, the box of dreams.

    The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.



    When action grows unprofitable, gather information; when information grows unprofitable, sleep.

    Virginity is now a mere preamble or waiting room to be got out of as soon as possible it is without significance. Old age is similarly a waiting room, where you go after life's over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial the only meaningful condition left to women is that of fruitfulness.

    I doubt that the imagination can be suppressed. If you truly eradicated it in a child, he would grow up to be an eggplant.

    Love does not just sit there, like a stone; it had to be made, like bread, remade all the time, made new.

    To me the ''female principle'' is, or at least historically has been, basically anarchic. It values order without constraint, rule by custom not by force. It has been the male who enforces order, who constructs power structures, who makes, enforces, and breaks laws.

    If we can get that realistic feminine morality working for us, if we can trust ourselves and so let women think and feel that an unwanted child or an oversize family is wrong -- not ethically wrong, not against the rules, but morally wrong, all wrong, wrong like a thalidomide birth, wrong like taking a wrong step that will break your neck -- if we can get feminine and human morality out from under the yoke of a dead ethic, then maybe we'll begin to get somewhere on the road that leads to survival.

    It did not matter, after all. He was only one man. One man's fate is not important. 'If it is not, what is' He could not endure those remembered words.

    The quality of the will to power is, precisely, growth. Achievement is its cancellation. To be, the will to power must increase with each fulfillment, making the fulfillment only a step to a further one. The vaster the power gained the vaster the appetite for more.

    We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.


    It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.


    What the hell is nostalgia doing in a science-fiction film With the whole universe and all the future to play in, Lucas took his marvelous toys and crawled under the fringed cloth on the parlor table, back into a nice safe hide hole, along with Flash Gordon and the Cowardly Lion and Luke Skywalker and the Flying Aces and the Hitler Jugend. If there's a message there, I don't think I want to hear it.

    It is good to have an end to journey toward, but it is the journey that matters in the end.


    Related Authors


    Niccolo Machiavelli - Paul Davies - Michael Cunningham - Henry Drummond - George Axelrod - Edward Fairfax - Dr. Seuss - Arthur C. Clarke - Anthony Hope - Anne Frank


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