Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction.
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It was a ragtag street ensemble, ... Literally, we'd pass the hat. I learned how to breathe fire. I learned to play the trombone. I was a street musician for years.Danny Elfman
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
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You have to write a good score that you feel good about. At least, you're supposed to. But, if the director hates it, it ain't going to be in the movie!
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My education in film music came from watching tons of films,
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I try to keep myself as blank and as unprepared as possible until that moment, ... I have to get my head into his head because it's not strictly about my own tastes and instincts. It's a collaboration.
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Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call.
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