I was talking to somebody the other day, it was Seth Rudetsky He said 'when did you learn to sing He said please dont say in Church. Thats where I learned to sing.Well actually, I didnt learn how to sing in Church, I just sang in Church with my family. My family was quite musical. I grew up listening to people like Barbara Mandrel and whoever else my dad listened to, Roger Miller. When I found out that he wrote Big River I was super excited because I loved Roger Miller growing up just a bunch of those christianly angelic singers like Sandy Patty, Michael W. Smith, you know all those people. Thats where I got my influence.
More Quotes from Chad Kimball:
Going from one jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. Its interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia, Good Vibrations, All Shook Up theme the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that its almost as if John Lennon wrote a musical. Its hard to say. Its almost as if he wrote a musical about his life because his song are very specific about who he was as an individualwhere he was goingwhere he had beenand his present life and its almost as if he wrote the songs to a book of his life that wasnt written you know what I mean So thats what really interested me about it. Theres also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldnt have been more different, I am thankful for both.Chad Kimball
I dont know. I would love to do some TV, but what Id really love is to see Memphis on Broadway. It would be the crowning jewel in my careerif my career were ending in a few years (laughs) but its one of those roles that you just love doing I cant wait for it to come here be seen. It is (not to sound dramatic or anything) but a triumph and return to the American Musical.
Chad Kimball
We were all young and our like leader was Capathia Jenkins who had been around and is amazing. We did a lot of improv and the show was completely re-imagined. We kept very little of the original book. It was a lot of fun and we had a great time. Being able to be so creative and get that vibe where its not usually the case It was really kind of a dream come true to be able to have such success with it and the recording my first cast album. Stephen Schwartz was wonderful.
Chad Kimball
Its a point where we kind of step out as actors again. You can hear the audience gasp because they have waited all night to hear those first chords of Imagine and there is a space - and then it starts. It feels important.
Chad Kimball
It's one of those roles where you realize why you got into theatre and without sounding too proud, its just one of those moments where you feel born to play a role that was made for you. Its a great show and I really hope it find its way to Broadway. David Bryan this rock star from Bon Jovi decided to write musical theatre. At first I was like 'all rightwhatever' But his music and lyrics are so refreshing. It reminds me a lot of Yazbek but more gospel and RB influenced. Its the best original music I have heard in a long time.
Chad Kimball
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