It was his Fourth Concerto, the last work he had written. The crash of its opening chords swept the sights of the streets away from her mind. The Concerto was a great cry of rebellion. It was a 'NO' flung at some vast process of torture, a denial of suffering, a denial that held the agony of the struggle to break free. The sounds were like a voice saying There is no necessity for pain why, then, is the worst pain reserved for those who will not accept its necessity we who hold the love and the secret of joy, to what punishment have we been sentenced for it, and by whom ... The sounds of torture became defiance, the statement of agony became a hymn to a distant vision for whose sake anything was worth enduring, even this. It was the song of rebellion and of a desperate quest.