When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.
Most people spend their whole lives looking for the right job. There are others who never get an opportunity to do work that fulfils them.
The atmosphere at my school was very competitive. Young girls were competing with each other every day for status, for leadership, for the affection of the teachers. I hated it.
Actually I ran away from school when I was 13. No one could find me, and the police were called. I was just hiding in a little thicket of grass at my school, and went to sleep.
There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
Today's China is not in the least shut out from the rest of the world. Trends come to us from all over the world. And the Internet is really developed in China. We get news from all over the world.
We're still working out the details, but I'd be delighted to do the film. The problem at the moment is my busy schedule. Shooting on this film has been extended by a month, but I need to be in the U.S. by Dec. 20.
I wanted to escape so badly. But of course I knew I couldn't just give up and leave school. It was only when I heard my mom's voice that I came out of my hiding place.
From my opinion, 'geisha' means a woman skilled in the arts, like dancing, singing and playing musical instruments,
After I learn more English, I'll work hard and make more films.
Wanting to be in a Western film won't get me very far. Unless the opportunity arose, it doesn't matter how much I want to be in one. But if an opportunity did arise, no actor would pass it up.
I try not to pay much attention to the whole movie star thing.
Absolutely not, because in acting I've found a domain that suits me perfectly. And that is so utterly rare.
Yes. Otherwise I could have done a lot of Hollywood movies. After Crouching Tiger I got a lot of offers, but I turned them down because they were all victim roles - poor girls sold to America to be a wife or whatever. I know I have the ability to go deeper, to take on more original roles than that.
From beginning to end I worried that Ang Lee wouldn't be satisfied with my work. So I worked as hard as I could to earn his trust, because you only get a chance like this once.
That whole environment was just incompatible with my beliefs and my personality. It was a dark time for me.
Men are different. When they are in love they may also have other girlfriends.
Zhang Yimou is always going to need young, pretty girls for his films. But I don't really concern myself with what Zhang Yimou's next starlet looks like.
There are films you see that only reach your eyes. Then there are films that you can watch... that reach down to your throat, or reach your heart. "In the Mood for Love," though, reached all the way to my belly.
There's a possibility that I might work with Wong Kar-wai next year. I've heard that he has a Japanese novel that he wants to turn into a film.
They just don't endorse or support their own movies and their own actors. Is it because they don't understand the movie This issue really baffles me.
A movie has its own fate, which often doesn't depend on the performances of the director and actors.
There were a lot of people's efforts behind the screens to make such a wonderful film.
I never thought I'd be able to go to the White House and participate in an activity like this. It's a great honor.
I don't care if you love me or not. I'll love you anyway.
When two people first meet, they can only have a very ordinary kind of friendship. But when you begin to understand each other, when you get close to them, you discover that you're suddenly eager to know him or her even better.
Ordinarily if an actor gets chosen for the lead in a film, he or she has already built up a repertoire, and everyone knows what he or she is capable of.
Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
People who trust me will not be swayed by what's been said about me, and for people who don't, no amount of good reports will persuade them.
I'm not really interested in politics, because I think it's just too removed from my own life. If there's a war, though, or a disaster, I want to know what's happening.
They're not willing to admit that I've also shed blood and tears and often paid dearly for my success. This makes me feel extremely sad.
There are actors who spend 20 years working and still don't achieve what I've achieved so quickly. So I think my only course of action is to work as hard as I can, not just for the sake of the film, but also to prove to these people that I do have talent.
He creates characters that draw in an audience no matter what language they speak. His insight into the human heart crosses all boundaries. I know he is also making a huge influence in the lives of younger filmmakers and actors.
I think they'd say they like my personality, because I've got a northern Chinese personality. I'm pretty impulsive and act on my feelings.
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