Ruben Blades Quotes (38 Quotes)


    This is important to clarify, because a lot of people don't understand that I came in '69 and then went back to Panama to finish school.

    The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.

    And, we watched the Beatles one week after they showed up on the Ed Sullivan Show because of the U.S. Southern Command TV network.

    What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.

    Rock is young music, it is youth oriented. It just speaks for a generation.


    So that in 1974, when I graduated as a lawyer, I figured I'm not going to be a lawyer under a military regime.

    I was a kid, and I remember my mother singing. She was also a radio soap opera actress, but my mother sang.

    A lot of times you're just conditioned by what's around you.

    Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.

    But, when I was about thirteen, I began to sort of sing in my neighborhood.

    What I do not accept is the fact that so many people's talents were ripped off.

    So everything that ever happened, we knew about in Panama.

    Anywhere you had a commerce center, you had a lot of music.

    I was born in Panama, the Republic of Panama, on July 16, 1948 in Panama City, in an area called San Felipe.

    In those days the big U.S. labels didn't have any particular interest in the Latin market.

    And music was a very important part of our lives. The radio was on all day.

    It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.

    People are a lot smarter than anyone gives them credit for being.

    I decided we should book ourselves, so I started booking the band.

    And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.

    I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.

    There was no television, so the radio provided you with everything.

    It doesn't make sense for me to be a lawyer in a place where there is no law.

    So I went to Miami in '74 with my family and while I was there it became obvious that we needed money and we needed to do something, because my family, we left without anything really, and we didn't have any money to begin with.

    They had seen me performing in Panama, but in Panama I had to quit performing because teachers in the national university were against my performing.

    I think in New York we had respect and we would pretty much fill up the places where we went, but I never got the sense that we really were Number 1 here in New York among the Latin crowds.

    You know, it was uncomfortable doing the same thing. I don't like a rut.

    So that when I came from Panama... my family was exiled in 1973 and they went to Miami.

    So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.

    It's almost as if people think that in Latin America we're not hip to what's happening here.

    So that I saw music as a way of documenting realities from the urban cities of Latin America.

    I think we risk becoming the best informed society that has ever died of ignorance.

    Yes, I was going to law school and it was closed in '69.

    I didn't do drugs, I never did do drugs. Never. I don't have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn't interested in the people around the drugs.

    They're making a ton of money, and no one is getting a nickel.

    There was a lot of stuff happening in Havana that was being heard and appreciated by New Orleans musicians because of this situation. And vice versa.

    We had something to say. Whenever we played, people didn't dance, they listened.

    The first time I came to New York was 1969. I came because the university, the National University of Panama, had been closed by the military.


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