Michael Ondaatje Quotes (75 Quotes)

I don't see novels ending with any real sense of closure.

It's why you create characters: so you can argue with yourself.

Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity.

The last three books are much more a case of a moment of history, what happened almost by accident or coincidence, like being in the same elevator or lifeboat.

To write about someone like myself would be very limiting.

The past is still, for us, a place that is not safely settled.

You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.

In the book the relationship with Katharine and Almasy is sort of only in the patient's mind.

Research can be a big clunker. It's difficult to know how you can make the historical light.

When you're writing, it's as if you're within a kind of closed world.

Truth, at the wrong time, can be dangerous.

I don't have a plan for a story when I sit down to write. I would get quite bored carrying it out.

The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.

It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.

You want to suggest something new, but at the same time, resolve the drama of the action in the novel.

Right now, I have no idea what I will write or if I will write again.

I'm a Canadian citizen. But I always want to feel at home in Sri Lanka. I'm a member of both countries.

It's a responsibility of the writer to get the reader out of the story somehow.

It doubles your perception, to write from the point of view of someone you're not.

The garden is a dust bowl.

It's an odd state to be in, blowing the whistle on your home country.

I see the poem or the novel ending with an open door.

That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes.

As a writer, one is busy with archaeology.

You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel.