Margaret Atwood Quotes (276 Quotes)


    There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt.


    I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will.

    Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it's heavy, a thick curtain pulled up over the eyes. Wool blanket.




    I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something


    These albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit with some plague.

    You can wet the rim of a glass and run your finger around the rim and it will make a sound. This is what I feel like: this sound of glass. I feel like the word shatter. I want to be with someone.

    I would like to believe this is a story I'm telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it's a story I'm telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.



    A prison does not only lock its inmates inside, it keeps all others out. Her strongest prison is of her own construction.

    A wave of blood goes up to my head, my stomach shrinks together, as if something dangerous has just missed hitting me. It's as if I've been caught stealing, or telling a lie; or as if I've heard other people talking about me, saying bad things about me, behind my back. There's the same flush of shame, of guilt and terror, and of cold disgust with myself. But I don't know where these feelings have come from, what I've done.


    Vanity is becoming a nuisance, I can see why women give it up, eventually. But I'm not ready for that yet.

    He feels the need to hear a human voiceùa fully human voice like his own. Sometimes he laughs like a hyena or roars like a lionùhis idea of a hyena his idea of a lion.




    They were new money, without a doubt: so new it shrieked. Their clothes looked as it they'd covered themselves in glue, then rolled around in hundred-dollar bills.

    Wild geese fly south, creaking like anguished hinges; along the riverbank the candles of the sumacs burn dull red. It's the first week of October. Season of woolen garments taken out of mothballs; of nocturnal mists and dew and slippery front steps, and late-blooming slugs; of snapdragons having one last fling; of those frilly ornamental pink-and-purple cabbages that never used to exist, but are all over everywhere now.

    Because you may think a bed is a peaceful thing, Sir, and to you it may mean rest and comfort and a good night's sleep. But it isn't so for everyone; and there are many dangerous things that may take place in a bed.

    But I began then to think of time as having a shape, something you could see, like a series of liquid transparencies, one laid on top of another.

    It has thrown off its disguise as a meal and has revealed itself to me for what it is, a large dead bird. I'm eating a wing. It's the wing of a tame turkey, the stupidest bird in the world, so stupid it can't even fly any more. I am eating lost flight.


    He has to find more and better ways of occupying his time. His time, what a bankrupt idea, as if he's been given a box of time belonging to him alone, stuffed to the brim with hours and minutes that he can spend like money. Trouble is, the box has holes in it and the time is running out, no matter what he does with it.

    The prospect of his future life stretched before him like a sentence; not a prison sentence but a long-winded sentence with a lot of unnecessary subordinate clauses, as he was soon in the habit of quipping during Happy Hour pickup time at the local campus bars and pubs. He couldnÆt say he was looking forward to it, this rest-of-his-life.

    But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries.

    Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.

    Things might have been different if she hadn't been able to drift; if she'd had to concentrate on her next meal, instead of dwelling on all the injuries she felt we'd done her. An unearned income encourages self-pity in those already prone to it.

    Women have curious ways of hurting someone else. They hurt themselves instead; or else they do it so the guy doesn't even know he's been hurt until much later. Then he finds out. Then his dick falls off.

    But in the closeness of the sewing room, Simon can smell her as well as look at her. He tries to pay no attention but her scent is a distracting undercurrent. She smells like smoke; smoke, and laundry soap, and the salt from her skin; and she smells of the skin itself, with its undertone of dampness, fullness, ripeness - what? Ferns and mushrooms; fruits crushed and fermenting.

    Craziness was considered funny, like all other things that were in reality frightening and profoundly shameful.


    While in a vintage restaurant..."the past isn't quaint while you're in it. Only at a safe distance, later, when you see it as decor, not as the shape your life's been squeezed into.

    HeÆd developed a strangely tender feeling towards such words, as if they were children abandoned in the woods and it was his duty to rescue them.

    There were a few other moves of his father's he could do without as well - the sucker punches, the ruffling of the hair, the way of pronouncing the word son, in a slightly deeper voice. This hearty way of talking was getting worse, as if his father were auditioning for the role of Dad, but without much hope.

    But thoughtless ingratitude is the armour of the young; without it, how would they ever get through life? The old wish the young well, but they wish them ill also: they would like to eat them up, and absorb their vitality, and remain immortal themselves. Without the protection of surliness and levity, all children would be crushed by the past - the past of others, loaded on their shoulders. Selfishness is their saving grace.



    Yes, it does feel deceptively safer with two; but Thou is a slippery character. Every Thou I've known has had a way of going missing. They skip town or turn perfidious, or else the drop like flies and then where are you?


    Despite their cool poses they wear their cravings on the outside, like the suckers on a squid. They want it all.


    Women are hard to keep track of, most of them. They slip into other names, and sink without a trace.



    Don't blame me, blame history, he says, smiling. Such things happen. Falling in love has been recorded, or at least those words have.


    Related Authors


    Umberto Eco - Sidney Sheldon - Naguib Mahfouz - Miguel de Cervantes - Mario Puzo - Jack Higgins - Honore de Balzac - Emily Bronte - Arthur Koestler - Anne Bronte


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