Herb Alpert Quotes (39 Quotes)

I'm sure I'll go back again and record in the digital process.

I was obligated to do a bunch of concerts and a television show, but something in my stomach was telling me this wasn't what I wanted to do.

Selfishly, I make music for me. I like to make music. I like looking for songs. I like working with interesting musicians. I like producing records. It's something I will always do.

I practice every day. I've been doing it since I was eight.

Is there an audience for it I don't know. I don't think it's the audience who bought it originally. But there's a younger audience that might appreciate it. These are good songs.

When I finish an album and I find myself listening to it in the car, because it makes me feel a certain way, that's the time to try to let other people know about it.

Instrumental music can spread the international language.

It's certainly an honor. When I got the call I didn't sure how to react, to tell you the truth. It wasn't until my wife's gynecologist called and congratulated me that I figured we were onto something.

If you look at a record under a microscope, the high frequencies are short jagged edges... and the low frequencies are long swinging ones are deep bass sounds. When it cut it at half speed, you're getting more of those on the record.

I never thought of myself as a trumpet player in the traditional sense I never played in a big band... I didn't struggle the normal way.

There's something interesting about playing live; you're in the moment, and I think it would be beneficial.

I don't think radio is selling records like they used to. They'd hawk the song and hawk the artist and you'd get so excited, you'd stop your car and go into the nearest record store.

This special event at Vibrato brought together many people sharing a common bond - a love of jazz and a desire to support its future, ... It gave them the opportunity to indulge in both passions - to celebrate the great artistry of Dave Brubeck, and to support the Brubeck Institute, a program at the University of the Pacific which, through its Fellowship Program and Summer Jazz Colony, serves to train and nurture the next generation of great jazz artists and innovators.

I'm an old-timer in the business from the sense that when you do something that you feel good about there might be another person out there who feels the same way, or a hundred or a couple million.

The trumpet was not a lyrical singing instrument.

It's very clean. With tape, you get noise.

The Japanese seem to be a loyal audience.

There was a certain naturalness that was happening in the '60s and '70s that felt more like a happening, ... Production wasn't as clean and neat as I'm hearing these days. They're not perfect, but they have an honest feeling, which is what I was going for.

It's - as opposed to tape where you have a magnetic tape that's excited by frequencies that you hit, digital was a process where musical sounds are transferred to numbers and stored as numbers.

Mexican Shuffle was a turning point of the Brass.

I wake up in the morning, I do a little stretching exercises, pick up the horn and play.

You know, the record business is much different than being artist on stage.

I like to listed to the adventurous guys - the Coltranes, Miles Davis, the guys who just let it loose.

I was taken in by the bravado and the sounds of Mexico... not so much the music, but the spirit.

I like to listen to classical music... I like mainline jazz.

He has a method that likens the musician to an athlete, so I do physical exercises designed to keep a musician in shape in order to perform the function, which is to play music.

I confess that I listen to my own music for my own pleasure.

We finally got our big break when Ed Sullivan put us on his show.

I find that it's nice to work with somebody and spin off on someone else's feelings. You get a little jaded by yourself.

This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.

We always felt that if you do something with quality and integrity, then it's going to come back to you.

Although there was a point with the Tijuana Brass where we were playing for such huge crowds that I kind of lost contact. At one point, the only connection I had with the audience was with people out there lighting cigarettes.

Clifford Brown was in the jazz circles considered to be probably the greatest trumpet player who ever lived.

The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.

We were like a trial for the digital process, and I found that in that particular timeframe, there were too many problems with it.

It's powerful. 'Whipped Cream' happened 40 years ago. It still resonates with people.

I haven't seen this many people since I played bar mitzvahs years ago.

My first instinct was not to do it. I didn't want to trample on ( Whipped Cream ).

With tape, you capture the impact, but you bring in some other elements. Sometimes those elements are good and sometimes, they're not.