Harold Ramis Quotes (42 Quotes)

I believe things happen that can't be explained, but so many people seem intent on explaining them. Everyone has an answer for them. Either aliens or things from the spirit world.

I used to be married to a woman who pursued every spiritual trend with tremendous passion and dragged me along. I don't believe in anything. I'd seen mediums and readers.

I'd like to think I'd never do a gratuitous fart joke.

No matter what I have to say, I'm still trying to say it in comedic form.

You just make sure you don't screw it up. It's going to work as long as you don't mess it up. Hopefully you have plenty of those moments in a big comedy.

The cutting room is where you discover the optimal length of the movie.

The first comedy screenplay that I wrote was Animal House and I always thought I could and should be a director but no one was about to give me that opportunity on Animal House.

I'm not a believer in the pratfall. I don't think it's funny just to have someone fall down.

There's a personal story of my own that I will write at some point, and it's a film that I will happily make. It could very well be the next thing I do, unless someone shows me something great.

I always claim that the writer has done 90 percent of the director's work.

That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.

My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.

I had a lot of fun working with John Candy. We had a pretty good rapport.

We all wish we could be in more than one place at the same time. People with families feel guilty all the time-if we spend too much time with our family, we feel we're not working hard enough.

How one handles success or failure is determined by their early childhood.

Asked if he thought his sardonic tale of two embezzlers who run into violently funny complications one Christmas Eve in Kansas is too intelligent for American audiences, ... what studio marketers call the 'first tier.' There are perhaps 50 theaters in the whole country that represent that audience, and the highest quality and most artistic films really can only survive and thrive in those markets.

Whenever a critic mentions the salary of an actor, I'm thinking, He's not talking about the movie.

You can't not have feelings about country clubs, whichever side you're on.

I've never been a big believer in ghosts or the spirit world, and for me, that was part of the point of the movie, ... What the 'Ghostbusters' represented was the triumph of human courage and human ingenuity. People create their own monsters. Our fears come from within us, not outside.

As much as we'd like to believe that our work is great and that we're infallible, we're not. Hollywood movies are made for the audience. These are not small European art films we're making.

I feel a big obligation to the audience, almost in a moral sense, to say something useful. If I'm going to spend a year of my life on these things, I want something that I feel that strongly about.

Approaching it skeptically, I wanted to know if you were going to make a sincere scientific investigation, what would be the parameters of that,

Multiplicity was a movie that tested really well. People seeing the movie really liked it, but then the studio couldn't market it. We opened on a weekend with nine other films.

Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.

If people work together, if they can keep a cooperative spirit and use their ingenuity and balance it all with good humor and good will, then there's nothing to be afraid of. That's the sappy part of it, ... On the other hand, every Halloween for many years when my kids were trick-or-treating I would put on my 'Ghostbusters' jumpsuit with a police flashlight to protect all the kids from ghosts.

It's like the old rule-if you introduce a gun into the first act of a play, it's going to be used in the third act. So if you do a movie about criminals, you have to accept there's going to be Some action.

I've been directing for 25 years almost, and I've only directed nine films in that time because I like to be careful.

Stripes' was my first on-camera appearance and people already knew me somewhat from that, but nothing like 'Ghostbusters.' Fashion models were interested in me,

We are all several different people. There are different aspects of our nature that are competing.

With both Caddyshack and Vacation, it's not like the subjects were serious enough that they engaged my interest for another round. I love the characters, and the actors were great, but I didn't see the need to make another Vacation movie.

Nothing reinforces a professional relationship more than enjoying success with someone.

I never work just to work. It's some combination of laziness and self-respect.

We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.

My characters aren't losers. They're rebels. They win by their refusal to play by everyone else's rules.

And then there's some certain physical similarities just in stature and the way they move. They move funny. Belushi used to just walk out onstage, audiences would laugh. And I see that in Jack.

First and foremost, you have to make the movie for yourself. And that's not to say, to hell with everyone else, but what else have you got to go on but your own taste and judgment?

Dan has many interesting sidelines and he's fascinated by the world of paranormal. It's part of his family history, in fact, ... He has relatives he claims were spirit mediums. He also believes in alien visitation and there is some speculation that Dan is an alien. He's so genuinely enthusiastic about the stuff. That's what was on the page when he showed it to us.

Acting is all about big hair and funny props... All the great actors knew it. Olivier knew it, Brando knew it.

I never read Playboy before I started working there and stopped reading it the day I quit.

If Chevy Chase had not been an actor, he might have been a very popular guy in advertising or whatever field he would have gone into, because of his charisma.

A psychologist said to me, there are only two important questions you have to ask yourself. What do you really feel? And, what do you really want? If you can answer those two, you probably can leave your neuroses behind you.

My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.