Gloria Swanson Quotes (51 Quotes)


    So they were turning, after all those cameras. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her. Norma You see, this is my life. It always will be (In a whisper) There's nothing else just us and the cameras and those wonderful people out there in the dark. All right, Mr. De Mille, I'm ready for my close-up.


    There was no place at all for me in my father's military world.

    The Sennett system of making pictures was actually fun. You never knew what the person next to you was going to do.

    We lived on the Key West Army Base. Key West for me was a tropical island paradise.


    I think all this talk about age is foolish. Every time I'm one year older, everyone else is too.

    My greatest debt will always be to the movie-going public of yesterday and today, without whose love and devotion I would have had no story to tell.


    From the first moment on the set I was consumed with curiousity about the technical side of shooting a sound picture.

    Your body is the direct result of what you eat as well as what you don't eat.

    When I die, my epitaph should read: She Paid the Bills. That's the story of my private life.

    The only time I ever went hunting I remembered it as a grisly experience.

    I've given my memoirs far more thought than any of my marriages. You can't divorce a book.

    My mother and I could always look out the same window without ever seeing the same thing.

    By the time I was 15, my mother had turned me into a real clotheshorse.

    I had starred in more than 30 successful films, six in a row directed by Cecil B. De Mille.

    I was the first celebrity in pictures to be marrying a titled European.

    My sculpture is very personal; for years my subjects were family and close, close friends.

    After 16 years in pictures I could not be intimidated easily, because I knew where all the skeletons were buried.


    Tennessee Williams was a gifted talker with a beautiful accent and we had lots of things in common.

    I was 25 and the most popular celebrity in the world, with the possible exception of my friend Mary Pickford.


    One of the networks sent me a TV set to watch. I didn't care for the medium. It depressed me.

    The day I initiated divorce proceedings against Michael Farmer, I was ready to retire to a desert cave and rethink my life.

    At 26 I felt myself a victim rather than a victor in the realm of pictures.

    Writing the story of your own life is a bit like drilling your own teeth.

    The major gossip columnists were more concerned with protecting the industry than with gunning down sinners.

    Sunset Boulevard opened in August 1950, and it was pronounced the best movie ever made about Hollywood.

    If you're 40 years old and you've never had a failure, you've been deprived.

    The English press treated the world premiere of my first talking picture as a major event.

    I didn't want to spend the rest of my life playing Norma Desmond over and over again.

    Sam Wood, the director, made most of his money as a real estate agent; there was nothing of the temperamental artist about him.

    I always anticipated difficulties in order to avoid scenes.

    I was married when I was 17. I knew nothing. I was full of romance.

    The Paramount executives were so pleased with Sunset Boulevard that they asked me to do a publicity tour.

    Life and death. They are somehow sweetly and beautifully mixed, but I don't know how.

    Because I take care of my body, it doesn't look like the body of a woman of my years.

    I doubted that there were Communists hiding behind every corporation desk and director's chair.

    I consider anybody who weighs over 200 pounds fat, and time was when I could not refrain from telling such people so.

    Much as I cared for Joseph Kennedy, he was a classic example of that person in the arts with lots of brains and drive but little taste or talent.

    In two months Joseph Kennedy had taken over my entire life, and I trusted him implicitly to make the most of it.

    I entered the cosmetics industry because I wanted more women to use cosmetics made with safe, healthful ingredients.

    The first feminine feature that goes, with advancing age, is the neck.


    The fuss that actors began making about the difficulty of shifting to sound struck me as perfectly foolish.


    Fame was thrilling only until it became grueling. Money was fun only until you ran out of things to buy.

    All they had to do was put my name on a marquee and watch the money roll in.



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