The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
I do not use any set methods, not even The Method. The character after all is in the lines.
I've taken some notes as I've gone through the years of playing this character. On the surface, Loomis appears to have been the classic nut case.
The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.
© 2020 Inspirational Stories
© 2020 Inspirational Stories