Christopher Moore Quotes (62 Quotes)


    I don't expect you to have any leniency or even believe a word I say. I have to stop lying to myself.

    I wanted a trumpet concerto that reflected Native American music because, well, there aren't any. I looked around for one but couldn't find anything. So it's a wide-open field.

    Fan mail typically goes through your publisher and you don't get it for a long time. So you look like a jerk even if you answer them because it's been three or four months since they wrote you. With e-mail it's instantaneous. And it's a way that people have access to me, while I maintain my privacy.

    I came back to San Francisco and spent more time in the neighborhoods like Chinatown and the Mission that I hadn't been in much before. I tried to get a feel for all parts of the city, so when I wrote the book, the neighborhoods would be like characters. There are scenes where all Charlie does is walk through neighborhoods, and it's like an Impressionist painting.

    In the movie, the painting is supposed to be worth 100 million. No painting is worth 100 million. But for the movie, 100 million is a number that any person can understand as expensive. If you say 50 million nowadays, it's not enough.


    Collectors say, 'I hate reproductions. It's awful. Why would anybody do that,' ... That's what they say officially. But behind the scenes they use our copies. On the walls they have our copies. All their paintings are in vaults.

    I hope she will be real proud. My ultimate goal is have it performed for the Oneida Nation in Wisconsin.

    He's probably one of the top Native American composers working now. He's flying in from Minneapolis and will be here on Saturday night for the performance.

    My mother is very active and involved with the tribe, so I can't help but be involved, too. I go back when I can to teach music classes with middle-school students and hopefully serve as a role model.


    There's one painting that historically would have been better, ... because it was painted at the beginning of the Impressionist movement, and the one we're using is painted later. In the script they say, 'This is a very important painting because it was painted at start of the Impressionists,' and that's not really true. It was painted a few years later. But they selected the painting for purely visual reasons -- that they would capture better on camera, that it was more appealing, that it would catch the eye better.

    Our finding suggests that high resolution sensory maps that can quickly and accurately handle many different kinds of sensory features are an essential hallmark of high sensory acuity, in whatever mode of perception is most important to the animal. It makes sense that mammals develop intricate sensory maps in the sensory system that is crucial for them--like vision is for us or the whisker system is for rodents.


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