It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in.
More Quotes from Anne Dudley:
Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved.Anne Dudley
I'm very interested in the color of sound. And I'm very interested in the juxtaposition of different things, ethnic instruments juxtaposed with symphonic instruments, and I'm interested in the ancient and the modern. I don't know why, but it has always been something that's fascinated me, from when I first heard a symphony orchestra I wanted to know how those sounds were made.
Anne Dudley
There's a great difference between having 20 in an orchestra and having 70 in an orchestra. Seventy is a big sound, a symphony orchestra sort of size, and 20 is a lot more intimate, and you can hear a lot more of the individual instruments rather than the wash of symphonic sound. It depends on what you want to do.
Anne Dudley
I wanted to make a classical piece that was actually designed to be a CD, not designed for performance.
Anne Dudley
I think being studio-literate helps, because obviously I'm not intimidated by the studio, and I never have been. I've always thought it was another part of the creative process.
Anne Dudley
The greatest thing you can have when you compose a film score is a bit of time to think before you have to charge straight in and do it.
Anne Dudley
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