At ten I read Mayakovsky had died,
learned my first word of Russian, lyublyu;
watched my English teacher poke his earwax
with a well-chewed HB and get the class
to join his easy mocking of my essay
where I’d used verdant herbage for green grass.
So he was right? So I hated him!
And he was not really right, the ass.
A writer knows what he needs,
as came to pass.
At twenty I got marching orders, kitbag,
farewell to love, not arms, (though our sole arms
were stretchers), a freezing Glentress winter
where I was coaxing sticks at six to get
a stove hot for the cooks, found myself picked
quartermaster’s clerk – ‘this one seems a bit
less gormless than the bloody others’ – did
gas drill in the stinging tent, met
Tam McSherry who farted at will
a musical set.
At thirty I thought life had passed me by,
translated Beowulf for want of love.
And one night stands in city centre lanes –
they were dark in those days – were wild but bleak.
Sydney Graham in London said, ‘you know
I always thought so’, kissed me on the cheek.
And I translated Rilke’s Loneliness
is like a rain, and week after week after week
strained to unbind myself,
sweated to speak.
At forty I woke up, saw it was day,
found there was love, heard a new beat, heard Beats,
sent airmail solidarity to Sa
(Edwin Morgan)
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Based on Topics: Love Poems, Speaking Poems, Cities Poems, Loneliness PoemsBased on Keywords: stretchers, solidarity, mayakovsky, quartermaster, gormless, farted, kitbag, airmail