In a painted “Forest of Arden,” in the glare of the garish light,
In doublet and hose, be-powdered and rouged, you sigh to me night by night;
Attuned to the sway of your cadenced voice, as a harp to the wooing wind,
I thrill at the touch of your painted lips–for–“_I am your Rosalind!_”
Could you know that my art in seeming was a dearer thing than art,
That the love-words spoken nightly spring straight from a loving heart;
Could you know that my soul speaks to you–aye soul and spirit and mind!
When I gaze deep into your eyes and breathe–“_And I am your Rosalind!_”
To you ’tis a vain dissembling–a part of the work of the day,
And the words that your voice makes music, but the dull, dead lines of
the play.
Little you care for the woman you woo, save as a foil designed.
To prove your skill as a lover–yet–“_I am your Rosalind!_”
I merge in the player, the woman! The actress good at her art
Must needs look well to each glance and tone, must needs play still
her part–
Tho’ the woman’s soul that must else be mute; aye soul and spirit and mind!
Cry to your soul in another’s words–“_And I am your Rosalind!_”
(Leigh Gordon Giltner)
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Based on Topics: Night Poems, Light Poems, Mind Poems, Cry Poems, Art Poems, Woman Poems, Work & Career Poems, Music Poems, Movies Poems, Performance Arts PoemsBased on Keywords: rosalind, words-, cadenced, rouged, love-words, breathe-