Stanley Tucci Quotes (44 Quotes)

I write in the mornings. During my down time.

I would rather just do the things I want to do.

I'm not saying they won't be bigger projects someday.

Like Joseph Mitchell, I would scour the streets of New York and find little pieces of what other people think of as junk - and collect it.

As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.

I love directing - it's always so involving, so challenging.

So I went to SUNY. at Purchase, studied acting at the conservatory. Did some plays, later TV. Nothing unusual.

My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.

But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.

I have consciously not taken the role of a gangster, which has been offered to me far too many times.

The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.

I didn't know you had to change diapers so often. I couldn't believe it - we must change them 10 times a day - each. So that's 20 diapers a piece a day.

So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really.

I make time to write.

Although his love for delivering a juicy story was well-known, Tucci maintains the media coverage of President Clinton and Monica Lewinsky goes far beyond Winchell's style. It's out of hand, tapes being released and reports being released with all of this stuff that nobody should know about, ... Walter Winchell would be wincing, he would be embarrassed.

I like to see how I can do it for less money.

I'm actually one who will encourage directors to cut my lines.

I've directed a film set in the '50s.

As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.

I'm not interested in wasting money on a project.

He was capable of tremendous generosity, and of real cruelty,

I mean, Scorsese's a genius, and that's one way of shooting.

I wanted to be an actor when I was a kid.

The majority of directors I've worked with didn't know how to talk to actors.

It's more interesting because you get to research the history of the period, and all the different aesthetic elements that make a film, particularly this film, so stunning.

Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject.

I never go overbudget on my movies.

I like to use all of myself, and acting wasn't doing that.

I had already made, like, 25 movies, playing a variety of roles, and it was a very frustrating time, ... I really couldn't get a job, and the only jobs I could get were, like, you know, these bit parts playing mobsters.

I was dissatisfied just being an actor.

I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.

I hope that a younger generation will start to watch a movie like this and start to better understand a slower pace in a truly cinematic way.

And I love doing my own projects; that's what I've always wanted to do.

People wear shorts to the Broadway theater. There should be a law against that.

I don't like to move the camera that much anyway.

The thing is, I'm a very practical filmmaker.

I'm a control freak. Totally.

Big Night and The Impostors are both things that I wrote.

I was always attracted to the past as a kid.

You gotta make the movie you want to make.

When I write a screenplay, and when I direct, I always pull lines out.

Even The Impostors, as silly as it is, is a very intimate film, in a way.

I've always considered myself an actor first and foremost.

But I'd shot enough independent films as an actor, one as a director. I knew that you have to be very specific when you're shooting a period picture.