My best efforts were some modern things that looked like very lousy Matisses. Thank God I had the sense to realize they were lousy, and leave Paris. (Norman Rockwell)
When I go to farms or little towns, I am always surprised at the discontent I find. And New York, too often, has looked across the sea toward Europe. And all of us who turn our eyes away from what we have are missing life. (Norman Rockwell)
Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out. (Norman Rockwell)
Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life. (Norman Rockwell)
The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud to be painting it. (Norman Rockwell)
I'd be painting sometimes, and get the strangest feeling I was being watched. I'd look up and see faces pressed against the window or door screens. Then, when I noticed them, the people would want to come in and talk to me. Got very upset, too, when I was too busy. One time I remember a man drove his car clear across our lawn and parked it right in the middle of the grass. It was wild. (Norman Rockwell)
I had a couple of million dollars' worth of... stock once. And now it's not worth much more than wallpaper. I guess I just wasn't born to be rich. (Norman Rockwell)
You must first spend some time getting your model to relax. Then you'll get a natural expression. (Norman Rockwell)
A face in the picture would bother me, so I'd rub it out with the turpentine and do it over. (Norman Rockwell)
I talk as I sketch, too, in order to keep their minds off what I'm doing so I'll get the most natural expression I can from them. Also, the talking helps to size up the subject's personality, so I can figure out better how to portray him. (Norman Rockwell)
Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries. (Norman Rockwell)
We got a good look at the Himalayas, which they tell me are about 28,000 feet high. I expected to be very impressed, but really, they didn't look any more picturesque to me than the Berkshires or the Green Mountains. Certainly not as pleasant-looking as the wooded mountains we have in New England. I'll leave those cold and barren slopes in Asia to the mountain climbers. (Norman Rockwell)
I would take the wrong approach for a teacher, I guess... But there was always someone in a class who would raise an objection to my way. They'd want to get into an argument with me. And I was no good at arguing. So I figured if that was what teaching was like, I better leave it to someone who knows how to maneuver an argument. I'd stick to what I knew-painting. So I didn't stay long at the Los Angeles County Artists School. (Norman Rockwell)