Howard Nemerov Quotes (41 Quotes)

The spirit world doesn't admit to communicating with me, so it's fairly even.

When I was starting to write, the great influence was T.S. Eliot and after that William Butler Yeats.

When Robert Frost was alive, I was known as the other new England poet, which is to be barely known at all.

The nice thing about the Bible is it doesn't give you too many facts. Two an a half lines and it tells you the whole story and that leaves you a great deal of freedom to elaborate on how it might have happened.

Once in awhile you have a thought, and you rhyme it.

The only way out is the way through, just as you cannot escape from death except by dying. Being unable to write, you must examine in writing this being unable, which becomes for the present --henceforth --the subject to which you are condemned.

I liked the kid who wrote me that he had to do a term paper on a modern poet and he was doing me because, though they say you have to read poems twice, he found he could handle mine in one try.

That dream got him such hatred of his brothers
As cost the greater part of life to mend,
And yet great kindness came of it in the end.

The secrets of success are a good wife and a steady job. My wife told me.

Obvious enough that generalities work to protect the mind from the great outdoors; is it possible that this was in fact their first purpose?

I think there's one thing which distinguishes our art - we don't consider. We don't think. We write a little verse because it comes to us.

Mostly the thought and the verse come inseparably. In my poem Poetics, it's as close as I come to telling how I do it.

For a Jewish Puritan of the middle class, the novel is serious, the novel is work, the novel is conscientious application why, the novel is practically the retail business all over again.

History is one of those marvelous and necessary illusions we have to deal with. It's one of the ways of dealing with our world with impossible generalities which we couldn't live without.

I sometimes talk about the making of a poem within the poem.

I've never read a political poem that's accomplished anything. Poetry makes things happen, but rarely what the poet wants.

I never abandoned either forms or freedom. I imagine that most of what could be called free verse is in my first book. I got through that fairly early.

I've thought of the last line of some poems for years and tried them out, It wouldn't work because the last line was much too beautiful for the poem.

I think there was a revolution in poetry, associated chiefly with Eliot and Pound; but maybe it is of the nature of revolutions or of the nature of history that their innovations should later come to look trivial or indistinguishable from technical tricks.

Language is remarkable, except under the extreme constraints of mathematics and logic, it never can talk only about what it's supposed to talk about but is always spreading around.

Shakespeare tells the same stories over and over in so many guises that it takes a long time before you notice.

The historian is terribly responsible to what he can discern are the facts of the case, but he's nothing if he doesn't make out a case.

I am not at all clear what free verse is anymore. That's one of the things you learn not to know.

A chronicle is very different from history proper.

Write what you know. That should leave you with a lot of free time.

We're not in love with Literature all the time - especially when you have to teach it every day.

A teacher is a person who never says anything once.

And should I live
To see his coming forth, a life away,
I know my hope, but do not know its form

A lot happens by accident in poetry.

I have a plot, but not much happens.

Occasionally a student writer comes up with something really beautiful and moving, and you won't know for years if it was an accident or the first burst of something wonderful.

Religion and science both profess peace (and the sincerity of the professors is not being doubted), but each always turns out to have a dominant part in any war that is going or contemplated.

When you write it doesn't occur to you that somebody could think different from what you do.

I would talk in iambic pentameter if it were easier.

When modern writers gave up telling stories, they gave up the greatest thing we had.

It may be said that poems are in one way like icebergs: only about a third of their bulk appears above the surface of the page.

I like all my children, even the squat and ugly ones.

I do insist on making what I hope is sense so there's always a coherent narrative or argument that the reader can follow.

Robert Frost had always said you mustn't think of the last line first, or it's only a fake poem, not a real one. I'm inclined to agree.

Nothing in the universe can travel at the speed of light, they say, forgetful of the shadow's speed.

Language cares.